Image of Gallery in South Kensington
On display at V&A South Kensington
Photography Centre, Room 100, The Bern and Ronny Schwartz Gallery

Once a Missouri farmer, now a migratory farm labourer on the Pacific Coast, California

Photograph
1936 (made)
Artist/Maker
Place of origin

Cars recur in Lange’s Great Depression photographs of rural Americans, many of whom had to take to the road in search of work. Here, she pointed her camera into the interior of a vehicle belonging to a farmer who had been forced to abandon his Midwestern farm to seek work in California.


Object details

Category
Object type
TitleOnce a Missouri farmer, now a migratory farm labourer on the Pacific Coast, California (assigned by artist)
Materials and techniques
Gelatin silver print
Brief description
Photograph by Dorothea Lange, 'Once a Missouri farmer, now a migratory farm labourer on the Pacific Coast, California', 1936, gelatin silver print
Physical description
Photograph of a man and a woman seated in a car. The man, wearing a flat cap and coat, is seated at the steering wheel. The woman, seated beside him, wears a fur-collared coat.
Dimensions
  • Height: 394mm
  • Width: 374mm
Taken from Departmental Circulation Register 1973: 14 3/4 x 15 1/2 inches
Gallery label
In the 1930s, severe droughts irreparably damaged farmland across America, intensifying a period of widespread economic uncertainty started by the Great Depression. Thousands of people abandoned their ruined land, moving to California. There they established makeshift homes in the desert or by roadsides, taking on precarious work like potato and cotton-picking. Produced for the Farm Security Administration, Lange’s photographs reflect on this migratory and unstable existence, and consider humanity’s dependent but uncertain relationship with the land for survival.
Credit line
Acquired from The Library of Congress, Washington D.C. in 1973.
Object history
Along with photographers such as Walker Evans, Dorothea Lange worked for the American government’s Farm Security Administration programme during the Great Depression of the 1930's. The F.S.A. was set up to relieve poverty in rural areas but also involved photographing conditions faced by displaced farmers who had been hit by the Depression and by drought. Lange’s Californian Migrant Mother is one of the most widely known of all photographs; the tightly composed, highly concentrated composition has made it an icon of socially committed photography.
Places depicted
Associations
Summary
Cars recur in Lange’s Great Depression photographs of rural Americans, many of whom had to take to the road in search of work. Here, she pointed her camera into the interior of a vehicle belonging to a farmer who had been forced to abandon his Midwestern farm to seek work in California.
Bibliographic reference
Taken from Departmental Circulation Register 1973
Collection
Accession number
CIRC.69-1973

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Record createdJune 30, 2009
Record URL
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