Unknown lady thumbnail 1
Not currently on display at the V&A

Unknown lady

Intaglio
ca. 1750 (made)
Artist/Maker
Place of origin

The art of engraving gemstones can be traced back to ancient Greece in the 8th century BC and earlier. Techniques passed down to the Egyptians and then to the Romans. There were major revivals of interest in engraved gems in Europe during the Byantine era, the Middle Ages, the Renaissance, and again in the 18th and 19th centuries. At each stage cameos and intaglios, these skillful carvings on a minute scale, were much prized and collected, sometimes as symbols of power mounted in jewelled settings, sometimes as small objects for private devotion or enjoyment. This gem is in the neo-classical style popular in the late 1700s and early 1800s, when taste in the arts echoed the subject matter and style of the Greek and Roman masters. Thousands of gems were made in this style in Italy and brought back by British Grand Tourists, who went there to visit the newly-discovered classical antiquities and archaeological sites. It was fashionable to have portraits executed in the style of a Greek or Roman noble. It could have been made in either England or France.


Object details

Categories
Object type
TitleUnknown lady (named collection)
Materials and techniques
Engraved gemstone
Brief description
Intaglio, oval carnelian, bust of an unknown lady, England or France, about 1750
Physical description
Vertical oval intaglio. Reddish carnelian. Depicting bust of an unknown lady in profile to left. Her shoulders are covered by a simple gown. Her hair is partly caught up, and partly hangs down onto her shoulders in long wild locks. There is a diadem in her hair.
Dimensions
  • Height: 19mm
  • Width: 16mm
Style
Credit line
Given by R. C. Lucas
Object history
Given by the British neo-classical sculptor Richard Cockle Lucas in 1865, together with twenty-two ivory carvings, twelve waxes, sixteen other gems, a marble group and a portrait in plaster.
Historical context
Engraved gemstones of all dates were widely collected in Italy in the eighteenth and nineteenth centuries. Many were brought back by British Grand Tourists, and important collections were formed.
Production
Attribution note: Red chalcedony
Subject depicted
Summary
The art of engraving gemstones can be traced back to ancient Greece in the 8th century BC and earlier. Techniques passed down to the Egyptians and then to the Romans. There were major revivals of interest in engraved gems in Europe during the Byantine era, the Middle Ages, the Renaissance, and again in the 18th and 19th centuries. At each stage cameos and intaglios, these skillful carvings on a minute scale, were much prized and collected, sometimes as symbols of power mounted in jewelled settings, sometimes as small objects for private devotion or enjoyment. This gem is in the neo-classical style popular in the late 1700s and early 1800s, when taste in the arts echoed the subject matter and style of the Greek and Roman masters. Thousands of gems were made in this style in Italy and brought back by British Grand Tourists, who went there to visit the newly-discovered classical antiquities and archaeological sites. It was fashionable to have portraits executed in the style of a Greek or Roman noble. It could have been made in either England or France.
Bibliographic references
  • Inventory of Art Objects acquired in the Year 1865. Inventory of the Objects in the Art Division of the Museum at South Kensington, arranged According to the Dates of their Acquisition. Vol. 1. London : Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 30
  • Machell Cox, E., Victoria & Albert Museum Catalogue of Engraved Gems. London, Typescript, 1935, Part 2, Section 2, p. 231
Collection
Accession number
234-1865

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdNovember 17, 2004
Record URL
Download as: JSONIIIF Manifest