Figurine
1837 (made)
Artist/Maker | |
Place of origin |
This figurine of the Romantic ballerina Fanny Elssler (1810-1844) shows her with castanets, dancing the Cachucha, the Spanish dance she made famous in 1836 as Florinda in Jean Coralli's ballet Le Diable Boiteux. Its sculptor Jean Auguste Barre (1811-1896) was fascinated by capturing Romantic ballerinas in sculpture, from the weightlessness of Taglioni to the earthy stability of Elssler. He sculpted figurines of other dancers at the height of their careers, including Emma Livry in Le Papillon and Marie Taglioni in La Sylphide. His sculptures were so successful that prints of them were issued as souvenirs, and some were adapted for ornamentation on candlesticks and clocks.
Fanny Elssler was born in Vienna and became one of the most famous dancers of the Romantic age. She performed in her native Austria from an early age but left Vienna for Italy when she was seventeen and was soon was appearing on stage in many major European cities including Berlin, Paris and London. Her accomplished performance of national and character dances helped to build her reputation and set styles in fashion. She danced the Cachucha in a pink dress trimmed with black lace at the neckline and hem. The white camellia she wore in her hair became a symbol of the Romantic dancer.
Fanny Elssler was born in Vienna and became one of the most famous dancers of the Romantic age. She performed in her native Austria from an early age but left Vienna for Italy when she was seventeen and was soon was appearing on stage in many major European cities including Berlin, Paris and London. Her accomplished performance of national and character dances helped to build her reputation and set styles in fashion. She danced the Cachucha in a pink dress trimmed with black lace at the neckline and hem. The white camellia she wore in her hair became a symbol of the Romantic dancer.
Object details
Categories | |
Object type | |
Materials and techniques | Cast bronze |
Brief description | Figurine of the Austrian dancer Fanny Elssler (1810-1884) dancing the cacucha, bronze by Jean Auguste Barre, 1837. |
Physical description | Bronze figurine of Fanny Elssler wearing a Spanish-style tiered and flounced skirted frock with tight, laced bodice, standing on an integral base incised with her name. She stands with her left foot in front of her right and is playing the castanets, her left hand up in the air at head height, her right hand behind her back. |
Dimensions |
|
Marks and inscriptions |
|
Credit line | Given by Richard Buckle |
Production | Signed and dated 1837 |
Subject depicted | |
Summary | This figurine of the Romantic ballerina Fanny Elssler (1810-1844) shows her with castanets, dancing the Cachucha, the Spanish dance she made famous in 1836 as Florinda in Jean Coralli's ballet Le Diable Boiteux. Its sculptor Jean Auguste Barre (1811-1896) was fascinated by capturing Romantic ballerinas in sculpture, from the weightlessness of Taglioni to the earthy stability of Elssler. He sculpted figurines of other dancers at the height of their careers, including Emma Livry in Le Papillon and Marie Taglioni in La Sylphide. His sculptures were so successful that prints of them were issued as souvenirs, and some were adapted for ornamentation on candlesticks and clocks. Fanny Elssler was born in Vienna and became one of the most famous dancers of the Romantic age. She performed in her native Austria from an early age but left Vienna for Italy when she was seventeen and was soon was appearing on stage in many major European cities including Berlin, Paris and London. Her accomplished performance of national and character dances helped to build her reputation and set styles in fashion. She danced the Cachucha in a pink dress trimmed with black lace at the neckline and hem. The white camellia she wore in her hair became a symbol of the Romantic dancer. |
Collection | |
Accession number | S.35-1976 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | February 15, 2005 |
Record URL |
Download as: JSONIIIF Manifest