Pendant
ca. 1920 (made)
| Artist/Maker | |
| Place of origin |
Arthur and Georgie Gaskin were a husband and wife team known for their Arts and Crafts style jewellery. They had both studied at the Birmingham School of Art and went on to establish a workshop which was admired for producing elegant, hand-made pieces in a city geared to the machine-production of jewellery on an industrial scale.
Describing how they worked, Georgie wrote ‘I did all the designing & he did all the enamel, and we both executed the work with our assistants.’ Their jewellery was mainly in silver and like this pendant was characterised by designs of closely-packed leaves and flowers sprinkled with gemstones. Between 1902 and 1924 Arthur was also head of the Birmingham School for Silversmiths and Jewellers.
Describing how they worked, Georgie wrote ‘I did all the designing & he did all the enamel, and we both executed the work with our assistants.’ Their jewellery was mainly in silver and like this pendant was characterised by designs of closely-packed leaves and flowers sprinkled with gemstones. Between 1902 and 1924 Arthur was also head of the Birmingham School for Silversmiths and Jewellers.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Silver wire, opals, glass |
| Brief description | Pendant, silver wire framework, set with opals and glass, designed by Georgie Cave Gaskin, Birmingham, about 1920 |
| Physical description | Pendant, silver wire framework, set with opals and glass. The reverse is signed with the initial G. |
| Dimensions |
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| Style | |
| Object history | Designed by Georgie Cave Gaskin and possibly made in the Gaskin's workshop in Edgbaston. The reverse is signed with the initial G. A re-working of a theme first used by Georgie Cave Gaskin in about 1910. Purchased from the Gaskins. |
| Summary | Arthur and Georgie Gaskin were a husband and wife team known for their Arts and Crafts style jewellery. They had both studied at the Birmingham School of Art and went on to establish a workshop which was admired for producing elegant, hand-made pieces in a city geared to the machine-production of jewellery on an industrial scale. Describing how they worked, Georgie wrote ‘I did all the designing & he did all the enamel, and we both executed the work with our assistants.’ Their jewellery was mainly in silver and like this pendant was characterised by designs of closely-packed leaves and flowers sprinkled with gemstones. Between 1902 and 1924 Arthur was also head of the Birmingham School for Silversmiths and Jewellers. |
| Bibliographic references |
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| Collection | |
| Accession number | CIRC.222-1921 |
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| Record created | April 7, 2005 |
| Record URL |
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