Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level F , Case X, Shelf 915, Box C

Stonehenge

Photograph
probably around 1970 - 1972 (photographed)
Artist/Maker
Place of origin

Caponigro almost totally fills the frame with a wall of stone. In the portfolio from which this image comes he has written:

"Although the uprights and lintels obviously served as windows and doors one senses a greatness coming through yet another door. A greatness which perseveres in another dimension and causes chronological time to melt away. We may never know for certain why ancient man assembled these stones. But man's humanity can sense the nobility and feel the aspirations that materialized into a great internal idea. Sentinel like, the stones stand as if encompassing all inner and outer boundaries."


Object details

Categories
Object type
TitleStonehenge (assigned by artist)
Materials and techniques
Gelatin-silver print
Brief description
'Stonehenge'; one of a series of 12 archivally processed silver print by Paul Caponigro, 20th century
Physical description
archivally processed silver photographic print
Dimensions
  • Image height: 48.8cm
  • Image width: 35cm
  • Sheet height: 50.7cm
  • Sheet width: 40.3cm
Gallery label
Caponigro almost totally fills the frame with a wall of stone. In the portfolio from which this image comes he has written: "Although the uprights and lintels obviously served as windows and doors one senses a greatness coming through yet another door. A greatness which perseveres in another dimension and causes chronological time to melt away. We may never know for certain why ancient man assembled these stones. But man's humanity can sense the nobility and feel the aspirations that materialized into a great internal idea. Sentinel like, the stones stand as if encompassing all inner and outer boundaries."(22/09/2004)
Credit line
Acquired from the Artist.
Subject depicted
Place depicted
Associations
Summary
Caponigro almost totally fills the frame with a wall of stone. In the portfolio from which this image comes he has written:

"Although the uprights and lintels obviously served as windows and doors one senses a greatness coming through yet another door. A greatness which perseveres in another dimension and causes chronological time to melt away. We may never know for certain why ancient man assembled these stones. But man's humanity can sense the nobility and feel the aspirations that materialized into a great internal idea. Sentinel like, the stones stand as if encompassing all inner and outer boundaries."
Bibliographic references
  • Moore, Andrew and Nigel Larkin, eds. Art at the Rockface. The Fascination of Stone.London : Philip Wilson Publishers, 2006. ISBN 0903101793.
  • Taken from Departmental Circulation Registers: 1976-1977
Collection
Accession number
CIRC.538-1976

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Record createdJune 7, 2005
Record URL
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