Necklace
1822 (made)
| Artist/Maker | |
| Place of origin |
Although traditional jewellery was worn throughout Sweden, and has a distinct Swedish character, there are marked differences between the different provinces. Skåne province, in the extreme south of Sweden, has the richest tradition, and more jewellery was worn there than in any other district. Almost all the Swedish traditional jewellery at the V&A comes from Skåne.
The most popular necklace was a choker, made of several chains fastened at the front with a large decorative snap-clasp. These are often decorated with filigree and coloured pastes. Swedish traditional jewellers made lavish use of coloured glass. Red was the most popular colour, as everywhere in Europe, but Swedish women were also fond of a clear blue which is rare elsewhere.
The clasp on this necklace is marked with the griffin mark of Ystad, the date letter Q3, for 1822, and the maker's mark IPL. Jöns Petter Larsson was a silversmith who worked in Ystad from 1817 to 1832. There is also a scratched number 12.
The most popular necklace was a choker, made of several chains fastened at the front with a large decorative snap-clasp. These are often decorated with filigree and coloured pastes. Swedish traditional jewellers made lavish use of coloured glass. Red was the most popular colour, as everywhere in Europe, but Swedish women were also fond of a clear blue which is rare elsewhere.
The clasp on this necklace is marked with the griffin mark of Ystad, the date letter Q3, for 1822, and the maker's mark IPL. Jöns Petter Larsson was a silversmith who worked in Ystad from 1817 to 1832. There is also a scratched number 12.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Silver and filigree, set with pastes |
| Brief description | Silver neck chain (halslås) with decorative filigree clasp set with coloured pastes, Skåne (Sweden), 19th century |
| Physical description | Choker consisting of three chains with a decorative rectangular snap clasp at the front. The clasp is decorated with filigree tracery and set with eleven red and two blue pastes. |
| Dimensions |
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| Marks and inscriptions |
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| Summary | Although traditional jewellery was worn throughout Sweden, and has a distinct Swedish character, there are marked differences between the different provinces. Skåne province, in the extreme south of Sweden, has the richest tradition, and more jewellery was worn there than in any other district. Almost all the Swedish traditional jewellery at the V&A comes from Skåne. The most popular necklace was a choker, made of several chains fastened at the front with a large decorative snap-clasp. These are often decorated with filigree and coloured pastes. Swedish traditional jewellers made lavish use of coloured glass. Red was the most popular colour, as everywhere in Europe, but Swedish women were also fond of a clear blue which is rare elsewhere. The clasp on this necklace is marked with the griffin mark of Ystad, the date letter Q3, for 1822, and the maker's mark IPL. Jöns Petter Larsson was a silversmith who worked in Ystad from 1817 to 1832. There is also a scratched number 12. |
| Collection | |
| Accession number | 382-1886 |
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| Record created | July 27, 2007 |
| Record URL |
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