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Interior of the Theatre in the Region of Cacamo

Watercolour
ca. 1797 (painted)
Artist/Maker
Place of origin

This view of the theatre at Myra, produced for an English patron, contrasts with Cassas's romanticised interpretation of the scene (See SD.214), which caters for a more elaborate, French taste. The prominent figure in the foreground, seen from the back, is nevertheless a deliberate artifice, introduced by Mayer both to draw the viewer's eye into the picture and to emphasize the oriental context of the subject. Versions of the view were reproduced in the Society of Dilettanti's Antiquities of lonia (Part 2, 1797, Plate LVII), and in Mayor's Views in the Ottoman Empire (1803, PI.5).
Caccamo was the Italian name for the area of coast and islands in South-west Turkey between and including Myra and Patara, in which there were several ancient ruins.


Object details

Category
Object type
TitleInterior of the Theatre in the Region of Cacamo (popular title)
Materials and techniques
Watercolour and gouache with gum, on laid paper
Brief description
Watercolour, Interior of the Theatre in the Region of Cacamo, about 1780-1790, by Luigi Mayer
Physical description
Watercolour drawing
Dimensions
  • Height: 40.1cm
  • Width: 55.4cm
Styles
Marks and inscriptions
Lettered VEDUTA INTERIORE DEL TEATRO NEL TERRIO DI CACCAMO, LA SCENA DI ORDINE COMPOSITO CON COLONNE DI GRANITO GRIGIO
Translation
View of the interior of the Theatre in the region of Cacamo, the stage [built in] the Composite order [of Architecture], with columns of grey granite.
Credit line
Purchased with the assistance of the National Heritage Memorial Fund, Art Fund, Shell International and the Friends of the V&A
Object history
According to Rodney Searight: - `Bt Sotheby's, [24] May 1978 [(361)], £80(+ 10%)'.
Historical context
The theatre is that of Myra (now Demre, south-west Turkey), not of Patara, further west. Caccamo (or Cachamo) appears to refer to the region between and including Myra and Patara, in which there were several ancient sites. Cf. SD.214.
Reproduced: A version in Society of Dilettanti, Antiquities of Ionia, Part 2, 1797, Pl.LVII, engraving titled Theatre at Patara (see SP.224).
See: B. Llewellyn, `Changing Views of the Middle East Watercolours from the Searight Collection', Antique Dealer & Collectors Guide, September 1983, pp.50-1.
Cf. other versions: Inside view of an Ancient Theatre believed to have belonged to the Town of Patera, now district of Cachamo in Caramania, Eyre & Hobhouse, 1983, and aquatint in Mayer, Ottoman Empire, 1803, Pl.5, titled An Ancient Theatre At Cacamo, 1803 (see SP.378).
Subject depicted
Places depicted
Summary
This view of the theatre at Myra, produced for an English patron, contrasts with Cassas's romanticised interpretation of the scene (See SD.214), which caters for a more elaborate, French taste. The prominent figure in the foreground, seen from the back, is nevertheless a deliberate artifice, introduced by Mayer both to draw the viewer's eye into the picture and to emphasize the oriental context of the subject. Versions of the view were reproduced in the Society of Dilettanti's Antiquities of lonia (Part 2, 1797, Plate LVII), and in Mayor's Views in the Ottoman Empire (1803, PI.5).
Caccamo was the Italian name for the area of coast and islands in South-west Turkey between and including Myra and Patara, in which there were several ancient ruins.
Bibliographic references
  • See large group of gouche drawings by Luigi Mayer, commissioned by Robert Ainslie (1729-1812) in "Adam's Country House Collections at Slane Castle, Co. Meath", catalogue of auction held on 6th October 2009, lots 517 to 542.
  • David Lewis, 'Spode's Caramanian Pattern The Lycian Sites', in Recorder, the annual publication of the Spode Society, Vol I, 1994, pp.39-50.
Collection
Accession number
SD.657

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Record createdMarch 10, 2008
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