Not currently on display at the V&A

The Story of the Prodigal Son

Relief
second half of the 16th century (made)
Artist/Maker
Place of origin

This is an alabaster relief made in the second half of the 16th century in the South Netherlands. The relief represents the Parable of the Prodigal Son in several distinct actions. The background is architectural and partly gilt.
Alabaster, a fine grained form of gypsum, is a smooth marble-like stone that was popular for the carving of religious sculpture. Softer than marble, it was much easier to carve and also considerably cheaper.

The southern Netherlands were an important centre for the production of alabaster sculpture during the 15th century, and while not producing the numbers that the English alabaster workshops turned out, they certainly exceeded their English counterparts in quality of craftsmanship. The English alabaster-carvers dominated the lower end of the market, catering for patrons right across Europe who could not afford to spend very much but were eager to furnish their parish churches and homes with religious imagery. The Netherlandish workshops, by contrast, produced fewer but many times more carefully finished alabaster sculptures, which were also considerably more expensive to buy.



Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Relief
  • Frame
TitleThe Story of the Prodigal Son (popular title)
Materials and techniques
Alabaster relief
Brief description
Relief, alabaster, the Parable of the Prodigal Son, South Netherlandish, second half of the 16th century
Physical description
Panel representing the story of the Prodigal Son in several distinct actions. The background is architectural and partly gilt.
Dimensions
  • Height: 38.1cm
  • Width: 30.48cm
Object history
Bought from the Soulages Collection in 1865 for £10.
Subject depicted
Summary
This is an alabaster relief made in the second half of the 16th century in the South Netherlands. The relief represents the Parable of the Prodigal Son in several distinct actions. The background is architectural and partly gilt.
Alabaster, a fine grained form of gypsum, is a smooth marble-like stone that was popular for the carving of religious sculpture. Softer than marble, it was much easier to carve and also considerably cheaper.

The southern Netherlands were an important centre for the production of alabaster sculpture during the 15th century, and while not producing the numbers that the English alabaster workshops turned out, they certainly exceeded their English counterparts in quality of craftsmanship. The English alabaster-carvers dominated the lower end of the market, catering for patrons right across Europe who could not afford to spend very much but were eager to furnish their parish churches and homes with religious imagery. The Netherlandish workshops, by contrast, produced fewer but many times more carefully finished alabaster sculptures, which were also considerably more expensive to buy.

Bibliographic references
  • Inventory of Art Objects acquired in the Year 1865. Inventory of the Objects in the Art Division of the Museum at South Kensington, arranged According to the Dates of their Acquisition. Vol. 1. London : Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 47
  • Robinson, John Charles. Catalogue of the Soulages Collection. London: Chapman & Hall, 1856, p. 134
Collection
Accession number
656:1, 2-1865

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Record createdApril 29, 2008
Record URL
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