Not currently on display at the V&A

Hope and Cupid

Relief
ca. 1780 - ca. 1810 (made)
Artist/Maker
Place of origin

This ivory relief represents Hope and Cupid and its courtly style suggests it may be French, probably Dieppe, and dating from the late eighteenth century. Although attributed to Voyez on acquisition, this reflects rather a tradition of ascribing ivories in this style to the British ceramic modeller John Voyez, who was active in the late eighteenth century. He is not however known to have worked in ivory. This ivory seems more likely to have been made in France, probably Dieppe (see also 115-1878).


Object details

Categories
Object type
TitleHope and Cupid (generic title)
Materials and techniques
Ivory in wood frame with leather back, with inset brass frame and brass ring for suspension
Brief description
Relief, pierced ivory in inset brass frame, Hope and Cupid, unknown sculptor, France (probably Dieppe), ca. 1780 - ca. 1810
Physical description
The circular pierced ivory relief shows Hope seated with an anchor with Cupid at her side, his sheaf of arrows on the ground beside his flaming torch. In the background is a ship at sea and a ruined building. A spring gushes forth from the wall nearby. Inscribed beneath are the words: 'L'esperance nourrit L'amour' (Hope nourishes Love). The relief is set in a wood frame with leather back, with inset brass ring and a brass ring for suspension. An old printed label on the back notes that this object was 'lot 66. original papier mache frame 4 1/8 in. square.' This frame may have been subsequently replaced by the present frame. The number '340' is also inscribed in ink on the back.
Dimensions
  • Of frame diameter: 6.65cm
  • Of wood mount height: 10.5cm
  • Of wood mount width: 10.2cm
Marks and inscriptions
'L'esperance nourrit L'amour' (beneath the figurative ivory scene)
Translation
'Hope nourishes Love'
Credit line
Given by Professor J. and Mrs Ann Hull Grundy
Object history
Given by Professor J. Hull Grundy and Mrs Ann Hull Grundy, Watch Cottage, Hampshire in 1978.
Production
formerly attributed to Voyez
Subjects depicted
Summary
This ivory relief represents Hope and Cupid and its courtly style suggests it may be French, probably Dieppe, and dating from the late eighteenth century. Although attributed to Voyez on acquisition, this reflects rather a tradition of ascribing ivories in this style to the British ceramic modeller John Voyez, who was active in the late eighteenth century. He is not however known to have worked in ivory. This ivory seems more likely to have been made in France, probably Dieppe (see also 115-1878).
Bibliographic references
  • Tait, Hugh, ed. The Art of the Jeweller, A Catalogue of the Hull Grundy Gift to the British Museum 2 vols.), London, 1984
  • Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, cat. no. 249, p. 267
Collection
Accession number
A.114-1978

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Record createdApril 20, 2009
Record URL
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