Augustus and the Sibyl
Plaquette
late 15th century to early 16th century (made)
late 15th century to early 16th century (made)
Artist/Maker | |
Place of origin |
This plaquette depicting Augustus and the Sibyl is ascribed to Riccio.
Riccio (1470-1532) - meaning 'Curly-Head' - worked primarily in bronze and is acknowledged as the master of the bronze statuette during the late 15th and early 16th centuries. He was active in the humanist circle of the University of Padua, in north-east Italy.
Riccio was trained as a goldsmith and lived and worked all his live in Padua. Today he is acknowledged as one of the greatest bronze sculptors of the Renaissance. His statuettes, functional objects, like oil lamps, and reliefs reflect Riccio's inimitable ability to express the most refined humanist ideas prevalent in the Veneto in bronze. He was also a specialist in rendering themes of Classical mythology. His oeuvre is often neglected because of its small scale, but it constitutes one of the most fascinating manifestations of the poetic paganism of the High Renaissance.
Riccio (1470-1532) - meaning 'Curly-Head' - worked primarily in bronze and is acknowledged as the master of the bronze statuette during the late 15th and early 16th centuries. He was active in the humanist circle of the University of Padua, in north-east Italy.
Riccio was trained as a goldsmith and lived and worked all his live in Padua. Today he is acknowledged as one of the greatest bronze sculptors of the Renaissance. His statuettes, functional objects, like oil lamps, and reliefs reflect Riccio's inimitable ability to express the most refined humanist ideas prevalent in the Veneto in bronze. He was also a specialist in rendering themes of Classical mythology. His oeuvre is often neglected because of its small scale, but it constitutes one of the most fascinating manifestations of the poetic paganism of the High Renaissance.
Object details
Categories | |
Object type | |
Title | Augustus and the Sibyl (generic title) |
Materials and techniques | Bronze |
Brief description | Plaquette, bronze, Augustus and the Sibyl, ascribed to Riccio, North Italy, late 15th to early 16th century |
Physical description | Sibyl with another woman, pointing top the sky where a vision of the Virgin and Child appears with angels. In the centre Augustus kneeling, wearing a crown, with a number of men behind him, one of them leading two horses. |
Dimensions |
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Object history | From the Salting bequest. |
Subjects depicted | |
Summary | This plaquette depicting Augustus and the Sibyl is ascribed to Riccio. Riccio (1470-1532) - meaning 'Curly-Head' - worked primarily in bronze and is acknowledged as the master of the bronze statuette during the late 15th and early 16th centuries. He was active in the humanist circle of the University of Padua, in north-east Italy. Riccio was trained as a goldsmith and lived and worked all his live in Padua. Today he is acknowledged as one of the greatest bronze sculptors of the Renaissance. His statuettes, functional objects, like oil lamps, and reliefs reflect Riccio's inimitable ability to express the most refined humanist ideas prevalent in the Veneto in bronze. He was also a specialist in rendering themes of Classical mythology. His oeuvre is often neglected because of its small scale, but it constitutes one of the most fascinating manifestations of the poetic paganism of the High Renaissance. |
Bibliographic references |
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Collection | |
Accession number | A.463-1910 |
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Record created | June 24, 2009 |
Record URL |
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