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Architectural Panel

1720-1760 (made)
Artist/Maker
Place of origin

This panel and its pair (W.391-1921) originally formed part of the panelling of a French room of the early 18th century. The inclusion of musical instruments in the carved decoration suggest that it was for a room dedicated to music and this was a new and fashionable idea at the time. The panel is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specializing in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm.



Object details

Categories
Object type
Materials and techniques
Carved oak
Brief description
One of a pair of architectural panels (with W.391A-1921), of oak, carved with rococo scrollwork at top and bottom, the scrollwork in the centre enclosing a trophy of musical instruments including a lute and a scroll of music.
Physical description
One of a pair of architectural panels (with W.391A-1921), of oak, carved with rococo scrollwork at top and bottom, the scrollwork in the centre enclosing a trophy of musical instruments including a lute and a scroll of music.
Dimensions
  • Height: 332cm
  • Width: 73cm
  • Depth: 4cm
Measured in store in 1990s and dimensions noted on record photo.
Style
Credit line
Given by Sir Charles and Lady Allom in memory of their son, Lieutenant Cedric Allom RFA
Summary
This panel and its pair (W.391-1921) originally formed part of the panelling of a French room of the early 18th century. The inclusion of musical instruments in the carved decoration suggest that it was for a room dedicated to music and this was a new and fashionable idea at the time. The panel is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specializing in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm.

Associated object
Collection
Accession number
W.391A-1921

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Record createdJune 24, 2009
Record URL
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