Right hand of Lord Ashburton, possibly Willaim Bingham Baring, 2nd Baron Ashburton
Hand
1862-4 (made)
1862-4 (made)
Artist/Maker | |
Place of origin |
This plaster cast model made by Sir Joseph Edgar Boehm represents the right hand od Lord Ashburton, possibly Lord Bingham Baring, 2nd Baron Ashburton. A marble bust of Louisa, Lady Ashburton was exhibited at the Grosvenor Gallery in 1880.
The purpose of the present model is unknown.
Boehm (1834-1890) was an English sculptor and medallist born in Austrian, as the youngest son of Joseph Daniel Boehm (1794–1865), a court medallist and director of the Imperial Mint at Vienna. From 1848 to 1851 Joseph Edgar attended Leigh’s art academy (later Heatherley’s) in London and drew the Parthenon marbles in the British Museum. On his return to Vienna he enrolled at the Akademie der Bildenden Künste. Around 1858–9 he visited Italy, where he developed a lasting admiration for early Renaissance sculpture. From 1859 to 1862 he worked in Paris and was influenced by the work of Paul Gayrard (1807–1855). Boehm settled in London in 1862 where he befriended John Leech and John Everett Millais, both of whom he portrayed in statuettes in 1863. A statuette of William Makepeace Thackeray (1864) led to an edition of 70 plaster casts. Boehm frequently worked in terracotta, a material common in French sculpture but less familiar in English. Queen Victoria’s admiration of Boehm’s statuettes led to an association with the royal family that lasted from 1869 until his death. Most of Boehm’s works are portrait busts. Boehm was immensely prolific: some 360 different works are documented. He was a highly consistent sculptor, rarely deviating from his brand of realism. He was modest about his immense popularity and aware of his imaginative shortcomings (cit.: M. Stocker: 'Boehm, Joseph Edgar').
The purpose of the present model is unknown.
Boehm (1834-1890) was an English sculptor and medallist born in Austrian, as the youngest son of Joseph Daniel Boehm (1794–1865), a court medallist and director of the Imperial Mint at Vienna. From 1848 to 1851 Joseph Edgar attended Leigh’s art academy (later Heatherley’s) in London and drew the Parthenon marbles in the British Museum. On his return to Vienna he enrolled at the Akademie der Bildenden Künste. Around 1858–9 he visited Italy, where he developed a lasting admiration for early Renaissance sculpture. From 1859 to 1862 he worked in Paris and was influenced by the work of Paul Gayrard (1807–1855). Boehm settled in London in 1862 where he befriended John Leech and John Everett Millais, both of whom he portrayed in statuettes in 1863. A statuette of William Makepeace Thackeray (1864) led to an edition of 70 plaster casts. Boehm frequently worked in terracotta, a material common in French sculpture but less familiar in English. Queen Victoria’s admiration of Boehm’s statuettes led to an association with the royal family that lasted from 1869 until his death. Most of Boehm’s works are portrait busts. Boehm was immensely prolific: some 360 different works are documented. He was a highly consistent sculptor, rarely deviating from his brand of realism. He was modest about his immense popularity and aware of his imaginative shortcomings (cit.: M. Stocker: 'Boehm, Joseph Edgar').
Object details
Category | |
Object type | |
Title | Right hand of Lord Ashburton, possibly Willaim Bingham Baring, 2nd Baron Ashburton (generic title) |
Materials and techniques | Plaster cast |
Brief description | Model, plaster cast, of right hand of Lord Ashburton, possibly William Bingham, 2nd Baron Ashburton, Sir Joseph Edgar Boehm, ca. 1862 - ca. 1864 |
Physical description | Hand, plaster, scratched into the base on the bottom: ASHBURTON. |
Dimensions |
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Marks and inscriptions | 'ASHBURTON' (scratched into the base of the bottom) |
Credit line | Given by the executors of Sir J.E. Boehm |
Object history | Given by the Executors of the late Sir J.E. Boehm in 1892. |
Subject depicted | |
Summary | This plaster cast model made by Sir Joseph Edgar Boehm represents the right hand od Lord Ashburton, possibly Lord Bingham Baring, 2nd Baron Ashburton. A marble bust of Louisa, Lady Ashburton was exhibited at the Grosvenor Gallery in 1880. The purpose of the present model is unknown. Boehm (1834-1890) was an English sculptor and medallist born in Austrian, as the youngest son of Joseph Daniel Boehm (1794–1865), a court medallist and director of the Imperial Mint at Vienna. From 1848 to 1851 Joseph Edgar attended Leigh’s art academy (later Heatherley’s) in London and drew the Parthenon marbles in the British Museum. On his return to Vienna he enrolled at the Akademie der Bildenden Künste. Around 1858–9 he visited Italy, where he developed a lasting admiration for early Renaissance sculpture. From 1859 to 1862 he worked in Paris and was influenced by the work of Paul Gayrard (1807–1855). Boehm settled in London in 1862 where he befriended John Leech and John Everett Millais, both of whom he portrayed in statuettes in 1863. A statuette of William Makepeace Thackeray (1864) led to an edition of 70 plaster casts. Boehm frequently worked in terracotta, a material common in French sculpture but less familiar in English. Queen Victoria’s admiration of Boehm’s statuettes led to an association with the royal family that lasted from 1869 until his death. Most of Boehm’s works are portrait busts. Boehm was immensely prolific: some 360 different works are documented. He was a highly consistent sculptor, rarely deviating from his brand of realism. He was modest about his immense popularity and aware of his imaginative shortcomings (cit.: M. Stocker: 'Boehm, Joseph Edgar'). |
Bibliographic references |
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Collection | |
Accession number | REPRO.1892-90 |
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Record created | June 24, 2009 |
Record URL |
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