Trophy
1680-1700 (made)
Artist/Maker | |
Place of origin |
Such high relief carving demanded the greatest skill. Pieces were often designed to be seen from a distance and would have to be made to give and effect from a distance. The subject of this trophy is warfare and navigation and the motifs include scientific instruments. It is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specialising in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm.
Object details
Categories | |
Object type | |
Materials and techniques | Limewood, carved and gilded |
Brief description | Trophy in carved and gilded lime, showing naval and scientific instruments including a canon, a globe and a ruler. British, 1680-1700 |
Physical description | Trophy in carved and gilded lime, showing naval and scientific instruments including a canon, a globe and a ruler |
Dimensions |
|
Style | |
Credit line | Given by Sir Charles and Lady Allom in memory of their son, Lieutenant Cedric Allom RFA |
Summary | Such high relief carving demanded the greatest skill. Pieces were often designed to be seen from a distance and would have to be made to give and effect from a distance. The subject of this trophy is warfare and navigation and the motifs include scientific instruments. It is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specialising in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm. |
Collection | |
Accession number | W.525-1921 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | June 24, 2009 |
Record URL |
Download as: JSONIIIF Manifest