The Holme Family thumbnail 1
The Holme Family thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
British Galleries, Room 58

The Holme Family

Painting
1628 (made)
Artist/Maker
Place of origin

Object Type
Painted panels depicting family members with the symbols of birth, death and marriage were a common way of commemorating significant rites of passage. They acted as reminders to the living of their own mortality and were often handed down through later generations as heirlooms. The folding panels in this example emphasise the intimate nature of the object.

Subjects Depicted
The panels include several references to the passing of time and the fragility of life, as well as the events of marriage and death. On the left exterior panel are figures representing youth and age. On the right are two inscriptions, each incorporating a visual pun or 'rebus', in which a picture or figure represents a name, word or phrase. Here Christ is represented by a painted figure and the clock dial completes the inscription 'We Must' by representing the words 'Die All'.

Dress
Henry and Dorothy Holme are dressed in the style of the well-to-do merchant class rather than the height of fashion. While their garments are quite plain they could clearly afford the luxury of lace accessories. Henry's ruff and cuffs are trimmed with fine imported needle lace. His wife's are trimmed with bobbin lace of a typically English pattern. Broad-brimmed beaver hats, such as Dorothy wears, were popular with country gentlewomen and women of the merchant class.

Costume provides a clue to the sex of the children in this portrait. Boys up to the age of about 7 were dressed like little girls, wearing skirts known as petticoats. To differentiate them from girls the bodice part of their costume took the form of a man's doublet. Little girls typically wore an embroidered cap, or 'coif', and an apron with a bib. Long narrow strips of fabric known as leading strings are attached to both the children's sleeves. These were used to guide children as they learned to walk.


Object details

Categories
Object type
TitleThe Holme Family (generic title)
Materials and techniques
oil on panel with carved decoration
Brief description
Triptych: The Holme Family. Anonymous English, dated 1628. Oil paint on wooden panel
Physical description
A painted and carved wooden tryptich probably showing the portraits of Henry Holme, his wife Dorothy and their two children on the inner panels. The exterior is painted with figures representing Youth and Age, a merchant's mark incorporating the letters WH, and an inscription incorporating rebuses (visual puns). These read 'WEE MUST / DIE ALL (the dial of a clock) YET BY / CHRIST (figure of Christ) LIVE ALL'. There is a skull by the wife's portrait, and coats of arms above the man's portrait and above his wife's.
Dimensions
  • Approx. height: 115.6cm
  • Closed width: 95.9cm
  • Open width: 190.5cm
4 estimated by Paul Ruskin tbc Dimensions checked: Measured; by DW 95.9 (closed) dimensions checked through case glass by KB/CB 15/06/2000
Style
Production typeunique
Marks and inscriptions
  • WEE MUST [painting of clock dial] (Decoration; Rebus; Front left exterior panel; painting)
    Translation
    We must die all
  • YET BY [painted figure of Christ] LIVE ALL (Decoration; Rebus; Front right exterior panel; painting)
    Translation
    Yet by Christ we all live
  • WH (Merchants mark; At centre of front left exterior panel; painting)
  • 1628 (Centre of front right exterior panel; painting)
    Translation
    The date 1628
Gallery label
  • Henry and Dorothy Holme are depicted taking their wedding vows, with their hands on a book of prayer. Dorothy wears a wedding ring. Their two children are painted on the outer panels. The skull beside Dorothy Holme suggests that the panel was painted after her death, perhaps as a memorial from her mourning family. [BG 200 words only text](2001)
  • British Galleries: Henry Holme (about 1570-1631) and his wife Dorothy are depicted taking their wedding vows, with their hands on a prayer book. Dorothy wears a wedding ring. Their two children are painted on the outer panels. The skull beside Dorothy Holme suggests that the panel was perhaps painted as a memorial after her death.(27/03/2003)
Object history
Painted in England by an unidentified painter. Bought at Sotheby's as lot 19, sale 31st January 1951
Historical context
This triptych was previously believed to depict Henry Holme (c.1570-1631) of Paul Holme quartering Wastney, Yorkshire, his wife Dorothy (née Grymston) and their two children. However, the coats of arms above the sitters indicate that it was the woman who belonged to the Holme family, while those of the man are as yet unidentified. It is possible that the woman depicted is one of the daughters of Henry Holme and his wife Dorothy; the most likely candidate being Elizabeth, who married Thomas Hill of Tunstall, Yorkshire. His arms have yet to be discovered.

The panel includes several visual references to the passing of time and fragility of life, as well as events such as marriage and death - on the exterior panel are figures of youth and age and inscriptions incorporating rebuses (visual puns). The couple are depicted solemnizing their marriage vows on a book of prayer. A skull beside the wife's portrait presumably indicates that the panel was painted after her death, unless it was a later addition. In a domestic setting, portraits of the deceased acted on the living as reminders of their own mortality. The couple are not dressed in the height of fashion but in the style of the well-to-do merchant class. The linen coif (cap), just visible under the woman's hat, and the cap of the youngest child were probably embroidered within the household. The husband's ruff and cuffs are trimmed with fine, imported needle lace, but his wife's bobbin lace has a typically English pattern.
Subjects depicted
Place depicted
Association
Summary
Object Type
Painted panels depicting family members with the symbols of birth, death and marriage were a common way of commemorating significant rites of passage. They acted as reminders to the living of their own mortality and were often handed down through later generations as heirlooms. The folding panels in this example emphasise the intimate nature of the object.

Subjects Depicted
The panels include several references to the passing of time and the fragility of life, as well as the events of marriage and death. On the left exterior panel are figures representing youth and age. On the right are two inscriptions, each incorporating a visual pun or 'rebus', in which a picture or figure represents a name, word or phrase. Here Christ is represented by a painted figure and the clock dial completes the inscription 'We Must' by representing the words 'Die All'.

Dress
Henry and Dorothy Holme are dressed in the style of the well-to-do merchant class rather than the height of fashion. While their garments are quite plain they could clearly afford the luxury of lace accessories. Henry's ruff and cuffs are trimmed with fine imported needle lace. His wife's are trimmed with bobbin lace of a typically English pattern. Broad-brimmed beaver hats, such as Dorothy wears, were popular with country gentlewomen and women of the merchant class.

Costume provides a clue to the sex of the children in this portrait. Boys up to the age of about 7 were dressed like little girls, wearing skirts known as petticoats. To differentiate them from girls the bodice part of their costume took the form of a man's doublet. Little girls typically wore an embroidered cap, or 'coif', and an apron with a bib. Long narrow strips of fabric known as leading strings are attached to both the children's sleeves. These were used to guide children as they learned to walk.
Collection
Accession number
W.5-1951

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Record createdJanuary 11, 2001
Record URL
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