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Shadow Magic

Print
1939 (printed)
Artist/Maker
Place of origin

Born in Australia, Martin Lewis arrived in the USA in 1900. He is one of the finest artists of the 'American scene' a name loosely given to those artists who specialised in recording the USA, both rural and urban, during the first three or four decades of the 20th century. He trained as a painter, but his most successful works are prints. He was especially gifted in drypoint, an engraving process in which the thin threads of metal thrown up when the plate is gouged by the burin, stay to the side of the engraved line and hold ink during the printing process, producing a delicately smudged effect. Lewis exploited the process to produce subtle variations of density and texture. Among his finest images are scenes of night-time New York, where he used the dramatic geometry of shadows to startling effect.


Object details

Category
Object type
TitleShadow Magic (assigned by artist)
Materials and techniques
Drypoint on paper
Brief description
Drypoint print entitled 'Shadow magic' by Martin Lewis. USA, 1939.
Physical description
Drypoint on paper depicting a New York street at night: the side of a gasworks and adjacent building with light in window, high, wire fence and dramatic diagonal shadows, with three figures and a cat to give sense of scale.
Dimensions
  • Plate height: 34.2cm
  • Plate width: 24cm
  • Sheet height: 39.2cm
  • Sheet width: 29.2cm
Styles
Production typeLimited edition
Marks and inscriptions
  • ML (Signature; drypoint)
  • Martin Lewis (Signature; below the platemark; pencil)
Subjects depicted
Place depicted
Summary
Born in Australia, Martin Lewis arrived in the USA in 1900. He is one of the finest artists of the 'American scene' a name loosely given to those artists who specialised in recording the USA, both rural and urban, during the first three or four decades of the 20th century. He trained as a painter, but his most successful works are prints. He was especially gifted in drypoint, an engraving process in which the thin threads of metal thrown up when the plate is gouged by the burin, stay to the side of the engraved line and hold ink during the printing process, producing a delicately smudged effect. Lewis exploited the process to produce subtle variations of density and texture. Among his finest images are scenes of night-time New York, where he used the dramatic geometry of shadows to startling effect.
Collection
Accession number
E.573-1980

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Record createdDecember 13, 2002
Record URL
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