Metalwork Design thumbnail 1
Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level C , Case M, Shelf 34

Metalwork Design

ca. 1575-1600
Place of origin

This drawing was probably executed by a close follower of Jacques Androuet du Cerceau (c. 1515-1585), one of the greatest architects in 16th-century France in the tradition of Sebastiano Serlio (1475-ca. 1554) and Andrea Palladio (1508-1580). He provided many ornamental designs subsequently etched and then extensively copied and imitated.


Object details

Categories
Object type
Materials and techniques
Pen and ink on paper
Brief description
Unknown after Jacques du Cerceau. Design for an ewer, French School, c.1576
Physical description
Two putti holding a ewer of the same size
Dimensions
  • Height: 69mm
  • Width: 71mm
Laid down on the same sheet as E.534-1937 and 536-1937; the sheet is inscribed 12 in brown ink on the top right corner and is probably from an album (sheet size= 406 x 277 mm)
Credit line
Given by an anonymous donor
Object history
Gift by Anonymous donor, 1937 (Lugt 2503 on both sides recto and verso)
Historical context
The drawing is laid down on the same sheet as E.534-1937 and 536-1937; the sheet is inscribed 12 in brown ink on the top right corner, suggesting that it was originally part of an album subsequently dismantled and which could have enclosed drawings of similar characteristics.

In 1977, Janet Byrne suggests that E.535-1937, a fragment, might be by the same hand as two other designs in the V&A collection (See 1541 and 1542) but she states that ‘its putti and vase are so carelessly drawn it is hard to take the drawing seriously’; and concludes that the drawing was executed by an anonymous artist.

Prof Dr Peter Fuhring has pointed out (written communication, April 2012) that the model of the vase comes from Jacques Androuet du Cerceau’s series of vases but in reverse (No. 24 in P. Fuhring’s catalogue of the prints in preparation). The small putti however are an addition and do not feature in any of Du Cerceau’s prints.

This drawing was therefore made by an imitator of Jacques Androuet Du Cerceau, probably at the end of the 16th century.
Summary
This drawing was probably executed by a close follower of Jacques Androuet du Cerceau (c. 1515-1585), one of the greatest architects in 16th-century France in the tradition of Sebastiano Serlio (1475-ca. 1554) and Andrea Palladio (1508-1580). He provided many ornamental designs subsequently etched and then extensively copied and imitated.
Bibliographic references
  • J.S. Byrne, ‘Du Cerceau Drawings’, Master Drawings, XV, 1977, 2, pp. 147-161, fig. 22 as Unknown.
  • Victoria and Albert Museum, Department of Engraving, Illustration and Design and Department of Paintings, Accessions 1937, London: Board of Education, 1938.
Collection
Accession number
E.535-1937

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Record createdJune 30, 2009
Record URL
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