A Cottage among Trees, with a Sandbank thumbnail 1
A Cottage among Trees, with a Sandbank thumbnail 2
Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, room WS , Case R, Shelf 33, Box L

A Cottage among Trees, with a Sandbank

Oil Painting
ca. 1836 (painted)
Artist/Maker
Place of origin

Constable was fascinated by picturesque rustic cottages from his earliest years. He probably painted this study in the studio, rather than in the open air. Its dark colours and rugged handling are typical of his last works.


Object details

Categories
Object type
TitleA Cottage among Trees, with a Sandbank (popular title)
Materials and techniques
oil on paper laid on canvas
Brief description
Oil painting, 'A Cottage among Trees, with a Sandbank', John Constable, ca. 1836
Physical description
Oil sketch of a landscape with a cottage, trees, and a sandbank.
Dimensions
  • Estimate height: 178mm
  • Estimate width: 219mm
  • Frame height: 45.4cm (Note: Taken from frame)
  • Frame width: 50.4cm (Note: Taken from frame)
Dimensions taken from Catalogue of the Constable Collection, Graham Reynolds, Victoria and Albert Museum, London: HMSO, 1973
Style
Credit line
Given by Isabel Constable
Object history
Given by Isabel Constable, 1888
Historical context
'In 1836 Constable's two exhibits at the Royal Academy were the 'Cenotaph to the memory of Sir Joshua Reynolds' (now in the Tate Gallery, No. 1272) and the watercolour 'Stonehenge' (No. 395 [1629-1888]). He gave four lectures on 'The History of Landscape Painting' at the Royal Institution in May and June of this year and his last lecture, at Hampstead, on 25 July. Constable died on 31 March 1837. His almost completed painting 'Arundel Mill and Castle' (now in the Toledo Museum of Art, Toledo, Ohio; see No. 379 [260-1888]) was exhibited posthumously at the Royal Academy.'

[G Reynolds, 1973, p. 233]
Subject depicted
Summary
Constable was fascinated by picturesque rustic cottages from his earliest years. He probably painted this study in the studio, rather than in the open air. Its dark colours and rugged handling are typical of his last works.
Bibliographic references
  • Catalogue of the Constable Collection, Graham Reynolds, Victoria and Albert Museum, London: HMSO, 1973, pp. 233, 239
  • Evans, Mark et al. Vikutoria & Arubāto Bijutsukan-zō : eikoku romanshugi kaigaten = The Romantic tradition in British painting, 1800-1950 : masterpieces from the Victoria and Albert Museum. Japan : Brain Trust, 2002
Other number
406, plate 305 - Reynolds catalogue no.
Collection
Accession number
139-1888

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Record createdJuly 25, 2003
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