Model thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 111, The Gilbert Bayes Gallery

Model

ca. 1580 (made)
Artist/Maker
Place of origin

When planning a new work, the sculptor usually made preliminary drawings and then a model. The models sometimes formed part of his contract with the patron. They could be rough or detailed, large or small, and were made in clay, terracotta, wood and wax. This is the only surviving model in alabaster for a lid of a German funerary monument. It depicts a recumbent woman surrounded by heraldic shields and devices.

There are two sorts of alabaster. Calcite alabaster is very hard and was used in ancient times. This object is made of gypsum alabaster which is a fine-grained, soft and smooth stone. Although at first glance it looks a little like marble, which it was intended to imitate, it was much easier to carve due to its softness, and alabaster objects were therefore significantly cheaper to produce.


Object details

Categories
Object type
Materials and techniques
Carved alabaster
Brief description
Model for the lid of a tomb, alabaster, Northern German, ca. 1580
Physical description
Alabaster model of the lid of a sarcphagus, on which is a recumbant female figure surrounded by heraldic shields and devices.
Dimensions
  • Length: 24.13cm
  • Width: 3.75in
Object history
Bought in 1864 for 1£.
Subjects depicted
Summary
When planning a new work, the sculptor usually made preliminary drawings and then a model. The models sometimes formed part of his contract with the patron. They could be rough or detailed, large or small, and were made in clay, terracotta, wood and wax. This is the only surviving model in alabaster for a lid of a German funerary monument. It depicts a recumbent woman surrounded by heraldic shields and devices.

There are two sorts of alabaster. Calcite alabaster is very hard and was used in ancient times. This object is made of gypsum alabaster which is a fine-grained, soft and smooth stone. Although at first glance it looks a little like marble, which it was intended to imitate, it was much easier to carve due to its softness, and alabaster objects were therefore significantly cheaper to produce.
Bibliographic references
  • Inventory of Art Objects acquired in the Year 1864. Inventory of the Objects in the Art Division of the Museum at South Kensington, arranged According to the Dates of their Acquisition. Vol. 1. London : Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 50
  • Trusted, Majorie, ed. The Making of Sculpture: The Materials and Techniques of European Sculpture. London:2007, p. 16, pl. 12
Collection
Accession number
1170-1864

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdDecember 17, 2003
Record URL
Download as: JSONIIIF Manifest