Wazir Khan and Bahadur Khan thumbnail 1
Not currently on display at the V&A

Wazir Khan and Bahadur Khan

Painting
ca. 1590-95 (made)
Artist/Maker
Place of origin

This illustration to the Akbarnama (Book of Akbar) depicts the fight that took place in 1567 between Wazir Khan and ‘Ali Quli Khan in order to free the captive Mughal noble Asaf Khan. Formerly loyal to the Mughal emperor Akbar (r.1556–1605), Asaf Khan had rebelled and, with his brother Wazir Khan, joined another disloyal faction, headed by ‘Ali Quli Khan and Bahadur Khan. However, they became disaffected with this new alliance and tried to flee, but Asaf Khan was captured, shackled and put inside an elephant litter (seen in the foreground). Wazir Khan attacked the rebels and freed the captive. The overall composition of the painting was designed by the Mughal court artist Jagan, with the details being painted by Narayan, except for the most important portraits which, according to the contemporary inscriptions at the bottom of the page, were done by Madhav the Younger.

The Akbarnama was commissioned by Akbar as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan.

The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.


Object details

Categories
Object type
TitleWazir Khan and Bahadur Khan (generic title)
Materials and techniques
Painted in opaque watercolour and gold on paper
Brief description
Painting, Akbarnama, fight between Wazir Khan and Bahadur Khan, outline by Jagan, painting by Narayan, opaque watercolour and gold on paper, Mughal, ca. 1590-95
Physical description
Painting, in opaque watercolour and gold on paper, the fight between Vazir Khan and Bahadur Khan, near Chanar, Mirzapur, in 1565. The image is overlaid by two bands of text extending from the top and from the bottom of the left hand margin.
Dimensions
  • Height: 33.1cm
  • Width: 20cm
Content description
The fight between Vazir Khan and Bahadur Khan, near Chanar, Mirzapur, in 1565.
Styles
Marks and inscriptions
(Contemporary librarian's attribution in Persian written beneath the image at the bottom of the page in red ink.)
Translation
'composition by Jagan/work [= painting] by Narayan/faces by Madhav the Younger'
Transliteration
'Tarh Jagan/Amal Narayan/Chehra nami Madhav Khord'
Credit line
Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E
Object history
The Akbarnama was commissioned by the emperor Akbar as the official chronicle of his reign. It was written by his court historian and biographer Abu'l Fazl between 1590 and 1596 and is thought to have been illustrated between c. 1592 and 1594 by at least forty-nine different artists from Akbar's studio. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r. 1605-1627) and later Shah Jahan (r. 1628-1658). The Museum purchased it in 1896 from the widow of Major General Clarke, an official who had been the Commissioner in Oudh province between 1858 and 1862.

Historical significance: It is thought to be the first illustrated copy of the Akbarnama. It drew upon the expertise of some of the best royal painters of the time, many of whom receive special mention by Abu'l Fazl in the A'in-i-Akbari. The inscriptions in red ink on the bottom of the paintings name the artists.
Production
Outline composed by Jagan, painting by Narayan and portraits by Madhav the Younger.
Subjects depicted
Association
Literary referenceAkbarnama
Summary
This illustration to the Akbarnama (Book of Akbar) depicts the fight that took place in 1567 between Wazir Khan and ‘Ali Quli Khan in order to free the captive Mughal noble Asaf Khan. Formerly loyal to the Mughal emperor Akbar (r.1556–1605), Asaf Khan had rebelled and, with his brother Wazir Khan, joined another disloyal faction, headed by ‘Ali Quli Khan and Bahadur Khan. However, they became disaffected with this new alliance and tried to flee, but Asaf Khan was captured, shackled and put inside an elephant litter (seen in the foreground). Wazir Khan attacked the rebels and freed the captive. The overall composition of the painting was designed by the Mughal court artist Jagan, with the details being painted by Narayan, except for the most important portraits which, according to the contemporary inscriptions at the bottom of the page, were done by Madhav the Younger.

The Akbarnama was commissioned by Akbar as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan.

The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.
Other number
137 - inscription/original number
Collection
Accession number
IS.2:53-1896

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdNovember 13, 1998
Record URL
Download as: JSONIIIF Manifest